Isabelle
is talented but she struggles getting her book published although The New
Yorker published a piece of her work. Her agent cannot get her novel
placed with publishers, and he encourages her to try again. Her mother Olivia understands
her daughter’s disappointment as Olivia knows the great effort to get published
because she reworked some of her husband’s novels before he submitted them to
the publisher, although Ward never gave her any credit for her help.
When
Olivia dies, Isabelle is directed to a place in her Sag Harbor vacation home where
Olivia saved certain items for Isabelle, including most of Olivia’s own book
that only her best friend knows about.
The manuscript reveals family secrets that cause Isabelle to rethink
everything she thought she knew about her parents and her upbringing.
She
is devastated to find out the real reason her first book could not find a
publisher. Without her mother’s support, she struggles to deal with a
closed-off father who believes Isabelle needs to make it on her own without any
financial support from him.
Isabelle’s
account provides the frame story for excerpts from Olivia’s book that unravels
so much about Isabelle’s family as Olivia’s
writing is about a demanding artist husband who relies on his wife to
help with his paintings. This alter-ego Livia is soon “finding” lost art when
her husband dies as she is soon secretly creating more of “his” art to sell so
she can stay solvent. Isabelle realizes her only chance to find success is to
continue this twisty tale where her mother left off.
Leigh
McMullan Abramson had a prior career of practicing law before pursuing her interest
in writing. She has written for The Atlantic, The New York Times, Tablet
Magazine and more. Leigh lives in
New York City and Vermont with her husband and two young children.
My review
will be posted on Goodreads starting March 15, 2023.
I would like
to thank Atria Books, an imprint of Simon and Schuster, Inc., and NetGalley for
providing me with an ARC in return for an objective review.
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