Charlotte
Cross worked as the associate curator at the Metropolitan Museum of Art in New York City for 40+ years after having spent a brief time in Egypt when
she was first starting out in The Stolen Queen by Fiona Davis
coming out January 7, 2025. Her career at the Met had stalled since she was an
Egyptologist who had not returned to Egypt since a tragedy had occurred when
she was there in 1937.
Still,
Charlotte was fascinated with Hathorkare, a fictitious pharaoh, inspired by the
real ruler Hatshepsut, an Egyptian queen of the 18th dynasty. She
had been developing a theory about Hathorkare for the last three years regarding
the destruction of the pharaoh’s likenesses by her fictional successor Saukemet
II, inspired by the true successor of Hatshepsut named Thutmose II.
When
Charlotte sees a broad collar, a type of necklace worn by the royal women of
Egypt, being put on display, she immediately questions her boss Frederick about
it as she herself found it enclosed in the wall of the tomb of Hathorkare
during her time in Egypt in the 1930s. The broad collar’s last whereabouts was likely
at the bottom of the Nile River since Egyptian artifacts and passengers were
lost in a shipwreck in 1937. Her attempts to learn the owner of the loaned
piece are thwarted by the Met’s director.
As
Charlotte’s story unfolds, it is interspersed with a narrative about Annie Jenkins, 18, who in 1978 landed a job
with former Vogue fashion editor Diana Vreeland, who was
responsible for organizing New York’s most famous party, the Met Gala. Vreeland,
a demanding boss, charged Annie with nearly impossible tasks such as gathering butterflies
to be released at the Gala.
Charlotte and Annie join forces at the Gala when Charlotte notices the
fragment of a statue known as the Cerulean Queen is missing from its
gallery. She and Annie chase a man in a dark suit carrying a bowling bag
through the crowd at the Gala. While the thief gets away, Charlotte decides to
chase the stolen piece to Egypt where she suspects it will be shipped by a
group that has been stealing artifacts to return them to Egypt.
After being fired by Vreeland when moths were released at the Gala
instead of butterflies—later discovered to be a diversion allowing the thief to
steal the Queen--Annie decides to join Charlotte in Egypt. Together they
attempt to solve more than one mystery, and Charlotte may be able to validate
her theory regarding Hathorkare.
Packed
with lots of information about the Met, archeology, art smuggling, and
mummification, this is a book for those who love all things Egyptian. As
always, author Fiona Davis has done her homework when it comes to the buildings
that make up the Met with a special focus on the 1978 Metropolitan Gala
directed by Vreeland.
Davis is a Canadian-born
author who has made a career out of combining intriguing historical fiction plots
with the stories of various New York buildings including the Barbizon Hotel, The
Dakota, Grand Central Terminal, the Chelsea Hotel, the New York Public Library,
and the Frick Museum. She lives in New York City.